Tag Archives: story

Reading Books as a Last Resort

book in front of tv 003

The clock ticks on. And on. And on. And sometimes, our lives go on unhappily, unless we do something to change the things we don’t like.

I hear the ticks clicking toward next Monday when I’m voluntarily going through a series of neuropsychological evaluations. No, I don’t have ADHD or Autism Spectrum Disorder (that I know of!). No, I don’t have headaches or Traumatic Brain Disorder, thank goodness. What I do have is a strong determination to better understand my lifelong headache of poor reading and comprehension skills. I’m sick of them, and sick of not knowing why I have either. If testing at this late stage seems desperate, it’s less desperate than the years spent floundering in school – and at work, still – dealing with my secret problem.

Cases in point:

Mrs. Johnson’s first grade reading period.

“All right, everyone. Read the first five pages silently at your desk and when you are done, we will talk about the story.”

The race begins. I blast through five pages, snap the book shut, cross my arms, and lean back in my chair.

A few minutes later, old Mrs. Johnson says, “Class, raise your hands if you’re done.”

My hand takes flight far over my head; all other hands appear grounded in comparison.

“All right, Michael. So. What color shoes was Jane wearing?”

Jane wore shoes?

“Speak up, Michael. Weren’t they the same color as the lamb?”

What lamb?

I look around. Every hand in class is waving hysterically, as if trying to peel the cracking paint chips off the ceiling.

“Michael, please sit down. Ellen, do you know?” This Ellen girl, with right arm nearly pulled out of its shoulder socket from spastic hand swaying, jumps to give her answer.

Her response is muted by a menacing white noise, like the sound I hear inside a conch shell. Such is the deep echo I encounter whenever I’ve done something wrong.

Finally, reading period is over. On to the all-purpose room for Friday art class.

Creating popsicle stick houses with glue, I am free. I’m an artist, not a reader. Right? Who needs library cards and late book fees? Who needs reading when TV’s around. Thank God for the weekend.

I start Saturday morning by viewing Captain Kangaroo and cartoon shows. During the afternoon, it’s movies – the simpler the better. After dinner, Mom and Dad switch the mood to serious evening news. Most interesting is the set decor, what the anchorman looks like, the pictures that magically pop up behind him. And commercials are the ultimate bonanza, always surefire entertainment!

Mrs. Marcotte’s eighth grade English class.

“So, Michael,” she says, catching me off guard. “What do you like to read at home?”

I’m astonished how many thoughts can flash through my mind in a split second of time to answer this question: The Flintstones / easy to follow TV show / no complicated character development / no deep universal themes you keep hitting me over the head with in class / love TV / hate your class …

“What?” I ask.

“Michael, I said, ‘do you watch television?’”

“Oh, yes.”

“Well, I think you need to watch less TV and start reading more. After all, what’s going to happen when you have to read things like Faust, Oedipus the King, and Pippi Longstocking?”

What? Who? Pippi Longstocking was a movie, but what movie were those other people in?

My guidance counselor’s office and my first plea for help.

“I don’t like to read.”

“Why?” Mr. Sexton asks.

“I just don’t. Mrs. Marcotte says we’re reading timeless landmarks of literature, but they’re really the most boring stories ever told …”

“Oh, no they’re not …”

“Oh, yes they are – of all time. And why does everyone and everything have to be so symbolic to something, and then symbolic to something else? If authors knew we had to go through all this in reading their books, they’d never have written them in the first place. Everyone else in my family is smart. Mom said we all came from good Scandinavian stock, so what happened to me?”

“Ha!”

“What?”

“If you want to see some really stupid people ….”

Mr. Sexton spins around in his chair and leans toward the floor between the wall and a cabinet. He returns with a big cardboard box that he dumps on his desk.

“Now t-h-e-s-e kids ….”

The box is filled with a carnival of confiscated classroom items: fuzzy dice, chains, novelty false teeth, yo-yos, cap guns, rubber knives, real knives, spray paint cans, “Car Mechanic” magazines, and a copy of Iliad with a giant “X” knife-gouged into the cover.

“Michael, you’re not dumb, unless you don’t use what you have. Learn to use what it is you do have – and always use it to its fullest. Perhaps you have a learning disability. Do you think so?”

“I dunno. What’s that? Other teachers just say I have the inability to learn, period if that’s what you mean. Guess there’s nothing symbolic about that, is there?” I say quite emphatically.

Sure, I’m smart enough to scrape by, but what about getting into college?

The mailman delivers a cream colored letter, postmarked “Princeton, New Jersey.” It couldn’t be the Princeton University New Jersey people, could it? Could it?

I rip open the envelope. It’s the SAT Princeton New Jersey people, and they have my score. 742. Out of 1200. It has to be a misprint. I look again. 742. It can’t be. My life is doomed – the SAT proves it. After all, isn’t that what tests are designed for, to find out if you’re stupid?

Good Scandinavian stock Mom had said. Good Scandinavian livestock maybe.

Why would college be any different than high school?

I’m having trouble absorbing any textbook with less than forty percent charts and graphs. Ones without two-page photo spreads every three pages put me to sleep. Even my art history book is ninety-five percent text, a huge disappointment. I’m bamboozled reading long paragraphs, especially those containing clauses with double negatives. And reading the pamphlet, “Gaining Better Concentration and Command of Written Material,” at the college learning center is of no use. Deciphering all its outlines, checkpoints and checklists seem more complicated than reading itself.    

With so much catching up to do, I take a seat in McKelden Library one early Saturday morning and spread all my books out on the table.

By lunchtime, I’ve completed only one reading assignment. By two o’clock, I’m asleep in my chair. By four o’clock, all books are opened to pictures, graphs and colorful pie charts. By five, I’m asleep. By dinner time, I feel achy. I plan to skip eating and study some more before realizing I’m too tired to concentrate on anything, let alone read.

Preparing to leave, I strap on my knapsack. Stuffed with so many books, the weight hurts my back. Unable to carry the load, I retake my seat. Freed from assigned readings, my mind engages the real world. Questions abound. Why does my reading malady remain such a mystery? When did it begin? What explains it?

I exhale hard. Many characters, settings and dramas have led me here. But feeling so incomplete, there has to be more to the story than this.

Perhaps the neuropsychological tests are the rest of the story, or at least a beginning. Beginnings are hard, but I must unravel the conundrum that is my reading problem, not to mention anything associated with my slow learning, poor short term memory and difficulty understanding instructions.

I don’t expect anything to appreciably change just because I’ve been tested. It’s more about wanting to know what makes me tick.

 

Italicized sections are excerpts from Chapter Two, “Reading,” in my memoir, Maybe Boomer.

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Everything I Love About Opera Has Nothing to do With Opera

Doug Norski 2015 001Suppose you’d never been to an opera. That was me just a few weeks ago.

Then I won a ticket to see any Santa Fe Opera performance I wanted. A big fan of composer Richard Strauss, I chose Salome. After having heard from friends how beautiful the whole Santa Fe Opera experience was, I couldn’t wait to go.

I drive into the parking lot and notice the zest in which Santa Fe Opera people party. They dress like it’s New Year’s Eve and feast around fancy table set ups like its Thanksgiving dinner.

I enter the opera house for my very first time. It’s other-worldly. What a beautiful structure. Streamlined, clean. Comfy seats.

When the house lights dim, a setting sun – as seen through the opera house’s open back-end – turn set pieces into majestic silhouettes. Lights return, exposing a sparse but beautiful set.

Then, performers appear. They start talking, er, singing. That’s when the party ends.

Hearing a ton of German sung on stage, I constantly check subtitles posted on the chair back in front of me. I read Salome’s words, but only hear a song fest. It’s taking some getting used to, but I try to get into the swing.

Fifteen minutes through the production, characters still talk about the same thing they were talking – er, intoning – fifteen minutes ago when the show began. Not only that, but they’re prompting subjects that never come up in normal conversation (let alone ones people might sing about in public if so inclined).

The huge box that centers the stages slowly rotates 180 degrees to expose a new set containing a man sitting at a table in the middle of a room. He barely moves. A woman circles the area, pontificating about his nose. I check the time on my watch.

Fifteen minutes later, the man is still serenaded to, but the woman changes the topic to a musical discussion about his lips. Apparently, she likes him? It is here I believe a love story has entered the opera, but I’m not sure.

Four more watch-check intervals later, the woman holds up the man’s bloody head for all to see. She’s even performed a risqué dance in honor of the severed orb.

Then the opera is over. That’s it.

The guy behind me stands, yelling “Bravo!” Seconds later, the rest of the audience stands. What did I miss?

I glance at my ticket stub and the $118 price. What? This seat is pretty far back and way to the right.

You see, for better or for worse, this is how I see opera.  I come from a generation steeped in television and movies where no one sings instead of talking to each other. Tonight, thousands attended Salome after waiting all year to experience its glory. Authors of the Bible, Oscar Wilde, Richard Strauss, even Al Pacino, have been captivated by Salome’s story, so what happened to me? Perhaps I should never have left the parking lot’s fine dining experience.

It all comes down to this: When a guest suddenly sings across the table to me, “Please pass the salt,” I immediately get the urge to be excused from my own dinner party to go watch TV.

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Filed under Blog, The Daily Thought